In the play "SLON", the name of which, on the one hand, referred to the Solovetsky Special Purpose Camp and, on the other, to the prison tattoo, I crossed texts of plays that had once been performed in the Solovki camp theater with scenes from Western European cinema that developed the theme of trauma and the prison experience in different ways. The play took place in various, mostly deserted, factory sites, had a self-destructive four-hour structure, and made use of natural sunlight, so the length of the sunset largely determined the length of the play.